Showing posts with label service music. Show all posts
Showing posts with label service music. Show all posts

Saturday, June 24, 2017

Luke, John and Zechariah

June 24 is the Nativity of St. John the Baptist, in the Anglican, Lutheran and Roman Catholic calendars of saints’ days. Because the Annunciation takes place when Elizabeth’s pregnancy is six months along, the Western church traditionally dates John’s birth six months before Jesus.

This week, Issues Etc. reran an hour-long show on this feast day — a 2016 interview with Pastor David Peterson, an LCMS pastor from Ft. Wayne, Indiana. Although the Anglican and Lutheran liturgies are different, most of the points are applicable to Anglican liturgy as well.

There are many elements of the life of John — and Jesus — that are only told in the first two chapters of Luke. This includes three key canticles of the traditional liturgy: the Magnificat (Luke 1:46-55), Benedictus (1:68-79) and Nunc Dimittis (2:29-32) — respectively the songs of Mary, Zechariah and Simeon.

The Benedictus, of course, is what Zechariah says at the ceremony that names (and circumcises) John. While the 1549 BCP is derived from the Coverdale (and Tyndale) translations, the same similarities can be seen in more modern spelling in the 1662 and KJV
Benedictus (BCP 1662) Luke 1:68-79 (KJV)
Blessed be the Lord God of Israel: for he hath visited and redeemed his people;
And he hath raised up a mighty salvation for us: in the house of his servant David;
As he spoke by the mouth of his holy Prophets: which have been since the world began;
That we should be saved from our enemies: and from the hand of all that hate us;
To perform the mercy promised to our fore-fathers: and to remember his holy covenant;
To perform the oath which he sware to our forefather Abraham: that he would give us;
That we being delivered out of the hands of our enemies: might serve him without fear;
In holiness and righteousness before him: all the days of our life.
And thou, child, shalt be called the Prophet of the Highest: for thou shalt go before the face of the Lord to prepare his ways;
To give knowledge of salvation unto his people: for the remission of their sins,
Through the tender mercy of our God: whereby the Day-spring from on high hath visited us;
To give light to them that sit in darkness, and in the shadow of death: to guide our feet into the way of peace.
Glory be to the Father and to the Son: and to the Holy Ghost;
As it was in the beginning, is now: and ever shall be, world without end. Amen
Blessed be the Lord God of Israel; for he hath visited and redeemed his people,
And hath raised up an horn of salvation for us in the house of his servant David;
As he spake by the mouth of his holy prophets, which have been since the world began:
That we should be saved from our enemies, and from the hand of all that hate us;
To perform the mercy promised to our fathers, and to remember his holy covenant;
The oath which he sware to our father Abraham,
That he would grant unto us, that we being delivered out of the hand of our enemies might serve him without fear,
In holiness and righteousness before him, all the days of our life.
And thou, child, shalt be called the prophet of the Highest: for thou shalt go before the face of the Lord to prepare his ways;
To give knowledge of salvation unto his people by the remission of their sins,
Through the tender mercy of our God; whereby the dayspring from on high hath visited us,
To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace.
As the the New Advent encyclopedia states
The whole canticle naturally falls into two parts. The first (verses 68-75) is a song of thanksgiving for the realization of the Messianic hopes of the Jewish nation; but to such realization is given a characteristically Christian tone. As of old, in the family of David, there was power to defend the nation against their enemies, now again that of which they had been so long deprived, and for which they had been yearning, was to be restored to them, but in a higher and spiritual sense. …

The second part of the canticle is an address by Zachary to his own son, who was to take so important a part in the scheme of the Redemption; for he was to be a prophet, and to preach the remission of sins before the coming or the Orient, or Dawn, from on high.
According to the New Advent encyclopedia, it was Benedict who added this canticle to the morning office (lauds) in the 6th century. In Cranmer’s original 1549 BCP, the Benedictus was the only canticle available after the second lesson of Matins. The 1552 BCP — Cranmer’s final prayer book before his execution— gives a choice of the Benedictus or the Jubilate Deo (from Psalm 100); this pattern continues into the 1559 and 1662 BCP, as well as the US prayer books from 1789 to 1928. (The 1979 prayer book, as is its wont, gives a choice of 21 canticles after either reading).

As a choirboy (prior to H82 and the 1979 prayer book), we sang morning prayer every other Sunday, and the words of the Jubilate Deo are etched in my brain; for the Jubilate Tune 645, the F-major chant by William Russell (1777-1813) seems the most familiar. It’s rare nowadays that I see a sung morning prayer, but if I were to pick a sung Benedictus, it would be #634, the G major chant by James Turle (1802-1882).

The podcast made one additional point. Zechariah (like his wife) is from the priestly line of Aaron. When Zechariah meets Gabriel in the temple, he lost his ability to speak for doubting the angel. According to Pastor Peterson, this means that he cannot finish the service, which would have concluded with the Benediction of Aaron (which is also called the Priestly Blessing) from Numbers 6:24-27:
The Lord bless thee, and keep thee:
The Lord make his face shine upon thee, and be gracious unto thee:
The Lord lift up his countenance upon thee, and give thee peace.
And they shall put my name upon the children of Israel, and I will bless them.
As Pr. Peterson reminded me — from my Missouri Synod days — this benediction is the closing prayer of the LCMS Holy Communion service. A quick check of my bookcase shows this benediction closes the Divine Service both in the 1941 and 2006 LCMS hymnals, as well as the 1978 LCA hymnal. In American Anglican liturgy, this benediction can be found in the Rite I Evening Prayer in the 1979 prayer book — but it is dropped in the ACNA draft liturgy (which most often follows Rite II in form and wording).

Sunday, September 15, 2013

Create in me a clean heart

During my brief period as an LCMS Lutheran, I grew to love The Lutheran Hymnal (1941). Like Hymnal 1940, the hymnal was a brilliant integration of many streams of music that served faithful Christians for decades during the postwar era, until revisionists took ahold of the liturgy and “improved” it.

One thing to admire about TLH was the simplicity of the service music: there were no alternative variants, but a standard text and tune at every point in the service. For example, morning prayer (which our parish did semi-monthly) comprised pp. 5-14 of TLH.

On pp. 12-13 was a simple 17th century tune that followed the sermon, with the text “Create in me a clean heart”:
This morning, I was reminded of that tune when a parishioner read this passage from Psalm 51:
10 Create in me a clean heart, O God; and renew a right spirit within me.
11 Cast me not away from thy presence; and take not thy holy spirit from me.
12 Restore unto me the joy of thy salvation; and uphold me with thy free spirit.
(I’ve shown the KJV text available in 1941, but this morning we used the ESV).

The tune is no longer part of the LCMS liturgy with the Lutheran Service Book (2006). However, as a sop to the blue-haired faithful, it is reprinted (with the same harmonization) as Hymn #956.

TLH didn’t offer credits for service music, but LSB helpfully notes
Text: Psalm 51:10-12
Tune: Johann Georg Winer, 1583-1651, adapt.: setting, The Lutheran Hymnal, 1941
Schaffe in Mir, Gott
Our gradual used this text, but a much more contemporary setting attributed to Keith Green. I was able to find a few versions on YouTube, but the official Keith Green version seems to be more plodding and schmalzy than what our praise band did. Still, if they had asked me, I’d request the Winer version.