Luke, John and Zechariah

June 24 is the Nativity of St. John the Baptist, in the Anglican, Lutheran and Roman Catholic calendars of saints’ days. Because the Annunciation takes place when Elizabeth’s pregnancy is six months along, the Western church traditionally dates John’s birth six months before Jesus.

This week, Issues Etc. reran an hour-long show on this feast day — a 2016 interview with Pastor David Peterson, an LCMS pastor from Ft. Wayne, Indiana. Although the Anglican and Lutheran liturgies are different, most of the points are applicable to Anglican liturgy as well.

There are many elements of the life of John — and Jesus — that are only told in the first two chapters of Luke. This includes three key canticles of the traditional liturgy: the Magnificat (Luke 1:46-55), Benedictus (1:68-79) and Nunc Dimittis (2:29-32) — respectively the songs of Mary, Zechariah and Simeon.

The Benedictus, of course, is what Zechariah says at the ceremony that names (and circumcises) John. While the 1549 BCP is derived from the Coverdale (and Tyndale) translations, the same similarities can be seen in more modern spelling in the 1662 and KJV

Benedictus (BCP 1662)

Luke 1:68-79 (KJV)

Blessed be the Lord God of Israel: for he hath visited and redeemed his people; And he hath raised up a mighty salvation for us: in the house of his servant David; As he spoke by the mouth of his holy Prophets: which have been since the world began; That we should be saved from our enemies: and from the hand of all that hate us; To perform the mercy promised to our fore-fathers: and to remember his holy covenant; To perform the oath which he sware to our forefather Abraham: that he would give us; That we being delivered out of the hands of our enemies: might serve him without fear; In holiness and righteousness before him: all the days of our life. And thou, child, shalt be called the Prophet of the Highest: for thou shalt go before the face of the Lord to prepare his ways; To give knowledge of salvation unto his people: for the remission of their sins, Through the tender mercy of our God: whereby the Day-spring from on high hath visited us; To give light to them that sit in darkness, and in the shadow of death: to guide our feet into the way of peace. Glory be to the Father and to the Son: and to the Holy Ghost; As it was in the beginning, is now: and ever shall be, world without end. Amen

Blessed be the Lord God of Israel; for he hath visited and redeemed his people, And hath raised up an horn of salvation for us in the house of his servant David; As he spake by the mouth of his holy prophets, which have been since the world began: That we should be saved from our enemies, and from the hand of all that hate us; To perform the mercy promised to our fathers, and to remember his holy covenant; The oath which he sware to our father Abraham, That he would grant unto us, that we being delivered out of the hand of our enemies might serve him without fear, In holiness and righteousness before him, all the days of our life. And thou, child, shalt be called the prophet of the Highest: for thou shalt go before the face of the Lord to prepare his ways; To give knowledge of salvation unto his people by the remission of their sins, Through the tender mercy of our God; whereby the dayspring from on high hath visited us, To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace.

As the the New Advent encyclopedia states

The whole canticle naturally falls into two parts. The first (verses 68-75) is a song of thanksgiving for the realization of the Messianic hopes of the Jewish nation; but to such realization is given a characteristically Christian tone. As of old, in the family of David, there was power to defend the nation against their enemies, now again that of which they had been so long deprived, and for which they had been yearning, was to be restored to them, but in a higher and spiritual sense. …

The second part of the canticle is an address by Zachary to his own son, who was to take so important a part in the scheme of the Redemption; for he was to be a prophet, and to preach the remission of sins before the coming or the Orient, or Dawn, from on high.

According to the New Advent encyclopedia, it was Benedict who added this canticle to the morning office (lauds) in the 6th century. In Cranmer’s original 1549 BCP, the Benedictus was the only canticle available after the second lesson of Matins. The 1552 BCP — Cranmer’s final prayer book before his execution— gives a choice of the Benedictus or the Jubilate Deo (from Psalm 100); this pattern continues into the 1559 and 1662 BCP, as well as the US prayer books from 1789 to 1928. (The 1979 prayer book, as is its wont, gives a choice of 21 canticles after either reading).

As a choirboy (prior to H82 and the 1979 prayer book), we sang morning prayer every other Sunday, and the words of the Jubilate Deo are etched in my brain; for the Jubilate Tune 645, the F-major chant by William Russell (1777-1813) seems the most familiar. It’s rare nowadays that I see a sung morning prayer, but if I were to pick a sung Benedictus, it would be #634, the G major chant by James Turle (1802-1882).

The podcast made one additional point. Zechariah (like his wife) is from the priestly line of Aaron. When Zechariah meets Gabriel in the temple, he lost his ability to speak for doubting the angel. According to Pastor Peterson, this means that he cannot finish the service, which would have concluded with the Benediction of Aaron (which is also called the Priestly Blessing) from Numbers 6:24-27:

The Lord bless thee, and keep thee:
The Lord make his face shine upon thee, and be gracious unto thee:
The Lord lift up his countenance upon thee, and give thee peace.
And they shall put my name upon the children of Israel, and I will bless them.

As Pr. Peterson reminded me — from my Missouri Synod days — this benediction is the closing prayer of the LCMS Holy Communion service. A quick check of my bookcase shows this benediction closes the Divine Service both in the 1941 and 2006 LCMS hymnals, as well as the 1978 LCA hymnal. In American Anglican liturgy, this benediction can be found in the Rite I Evening Prayer in the 1979 prayer book — but it is dropped in the ACNA draft liturgy (which most often follows Rite II in form and wording).

The world’s favorite Annunciation hymn

Today’s date, March 25, is nine months before Christmas, and thus the traditional date the Church celebrates the Annunciation of the Blessed Virgin Mary. There is controversy (between the most Catholic and Reformed extremes) over the role of Mary in the church, nonetheless creedal Christians acknowledge the saviour who “was incarnate by the Holy Ghost of the Virgin Mary.” Our knowledge of the Annunciation comes from the Gospel of St. Luke, as one of the events Mary pondered in her heart and later recounted to Luke.

Issues Etc. on Friday presented the Luther perspective on the Annunciation, in an interview with the LCMS Director of Worship, Pastor Will Weedon. In honor of the day, the LCMS radio station (Lutheran Public Radio) is playing Christmas music all day today.

As Pastor Weedon points out, it’s hard for the church to celebrate a joyous feast when it falls in the middle of Lent or especially — as in 2016 — when it falls on Good Friday. As he also notes, this is a case when it’s fortunate if a church’s midweek service lands on this feast, since (under both Anglican and Lutheran liturgical calendars) no feasts are transferred to the Sundays of Lent.

The Annunciation is called out in the 1662 Book of Common Prayer as one of 25 major feasts of the CoE, and remains on the shorter list in the current CoE liturgical calendar. The 1928 Book of Common Prayer retains the same list of 25 fixed Holy Days. The new ACNA liturgical calendar seems clearer than the 1662 in that it distinguishes between seven principal feasts (Epiphany, Easter, Ascension, Pentecost, Trinity, All Saints’, Christmas) that take precedence over 16 Holy Days (including the Annunciation).

Today’s collect in the 1662 (and 1928) BCP links the Annunciation to the incarnation, passion and resurrection of our Lord:

We beseech thee, O Lord, pour thy grace into our hearts; that, as we have known the incarnation of thy Son Jesus Christ by the message of an angel, so by his cross and passion we may be brought unto the glory of his resurrection; through the same Jesus Christ our Lord. Amen.

Hymns for The Annunciation

Hymnal 1940 lists two hymns for this date and recommends three others

• 117 “Sing of Mary, pure and lowly”
• 118 “Praise we the Lord this day”
• 317 “A message came to a maiden young”
• 418 “Blest are the pure in heart”
• 599 “Ye watchers and you holy ones”

Hymnal 1982 has a longer list

• 263, 264 “The Word whom earth and sea and sky adore” (from Hymns Ancient & Modern)
• 265 “The angel Gabriel from heaven came,” the famous Basque carol that was also featured in the Issues Etc broadcast (and is #356 in the current Lutheran Service Book)
• 266 “Gabriel of high degree,” a new hymn translation by Carl Daw
• 267 “Praise we the Lord this day, from an 1846 CoE hymnal
• 268, 269 “Ye who claim the faith of Jesus,” an early 20th century text; the first with a new tune by David Hurd
• 270 “Gabriel's message does away,” a translation of a Latin text from J.M. Neale’s 1853 Carols for Christmastide

Despite my frequent criticisms of Hymnal 1982, it has consistently done a better job of making available hymns for these Holy Days. In this case, it corrects the omission by Hymnal 1940 of the world’s best known Annunciation/Christmas carol.

The Angel Gabriel From Heaven Came

The text is a paraphrase of a Basque text by Sabine Baring-Gould (1834-1924), a Cambridge grad, choral director and later Anglican churchman. His best known hymn is “Onward, Christian soldiers.”

Because it has only recently (late 20th century) entered into the standard repertory and hymnals, I have not been able to find mention of the hymn in a reliable hymnal companion such as Ian Bradley’s Book of Hymns or those for the Lutheran Book of Worship or Lutheran Worship. (The explanation in the 1990s Presbyterian Hymnal companion is characteristically sketchy).

Wikipedia — that source of eternal truth — credits the Basque original to Charles Bordes (but doesn’t list an original publication date). It also says the current arrangement was first published “by Edgar Pettman in his 1892 book Modern Christmas Carols.” However, there is no mention of this carol in the version of the book archived by Google Scholar. CPDL has various Basque and English versions, appearing to rely on the Wikipedia explanation. The wonderful YouTube performance of the carol by King’s College Cambridge credits Pettman (1866-1943) as the arranger. 

I finally found it explained in The New Oxford Book of Carols (1992), an indispensable resource alongside the original The Oxford Book of Carols (1928). I quote from the former (pp. 641-642):

One of the best-known Basque carols in England. It was collected by Charles Bordes and appeared at the beginning of his volume Douze Noëls populaires in the series Archives de la traditional basque (1895), to which he also contributed the volume Dix Cantiques populaires basques.

…His publication stands head and shoulder above similar collections, and remains a primary source. The melodies are unharmonized, and the texts are edited by J.F. Larrien, who also provided French prose translations.

Whatever the provenance of ‘Birjina gaztettobat zegoen’ and ‘Oi Betleem!’, the texts are sophisticated literary productions, presumably by a Basque cleric. Perhaps they are from a publication (of the eighteenth century?) which caught the public imagination, and came to be sung to folk tunes; or, as in the usual French tradition, perhaps the texts were written to fit existing folk-song melodies. …

… R.R Terry set a number of items (including the present one and ‘Oi Betleem’), and George Oldroyd set the entire volume, both composers using English translations. But it was Pettman’s settings of ‘Birjina’ and ‘Oi Betleem!’ that caught the public’s fancy, and they have remained extremely popular.
…
The other great merits of Pettman’s settings of this carol and ‘Oi Betleem’ is their texts, which do not attempt to mirror the Basque, a spacious language which has English translators searching for words to fill up the long lines. In this case, Baring-Gold conveys the gist of the original eight stanzas in four of great refinement.”

While Pettman presumably finished the work before his death in 1943, the original publication date and title are still unclear. Clearly texts published by Bordes in 1895 would not appear in a Pettman book of 1892. The oldest reference I find in Google Books is from a 1961 list of new publications at the Library of Congress, listing sheet music they received in June 1961. In general, a Google search of the web produces pages that replicate the (seemingly inaccurate) Wikipedia provenance.

Whatever the source, I am grateful that this most suitable Annunciation carol entered the repertoire in the latter half of the 20th century.

Luke 2 in popular culture, 1700-2015

The Gospel according to St. Luke bears powerful witness to the coming of Our Savior into this world more than 2,000 years ago. Certain passages — such as the Annunciation — provide a unique perspective on how and why the Christ child came into the world.

In the very first (1549) Book of Common Prayer, the gospel reading for Christmas Day was Luke 2:1-14. In the 1928 (US) Book of Common Prayer, this passage is assigned for the earlier of the two services — typically Christmas Eve — with John 1:1-14 for the later service.

Although the 2016 ACNA lectionary has a three year cycle — with separate readings for Years A,B,C — at Christmas it uses the same readings every year. It allows for three possible Christmas services — with different psalms and Isaiah readings at teach — but assigns Luke for Christmas I and II (nowadays afternoon and evening of Christmas Eve) and John for Christmas III (Christmas Day). In the RCL, there are three services and Luke 2:1-14 is assigned for the first.

Authorized Version (1611)

The 1549 BCP used the Tyndale translations of the Gospels, but the version most often used is from the King James Version (“Authorized Version” in England).

The initial verses of Luke 2 explain how it is that Mary and Joseph end up in Bethlehem, and end with Jesus being laid in the manger. The passage beginning with verse 8 — which explains the appearance of the angel to the shepherds — appears to have been the often quoted over the next 400 years.

In the KJV, Luke 2:8-14 reads:

And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord. And this shall be a sign unto you; Ye shall find the babe wrapped in swaddling clothes, lying in a manger. And suddenly there was with the angel a multitude of the heavenly host praising God, and saying, Glory to God in the highest, and on earth peace, good will toward men.

While Shepherds Watched Their Flocks (1700)

In 1700, Irish poet Nahum Tate (1652-1715) published a collection of sacred poems that included one derived from Luke 2: 8-14. Here is the version of the poem that appeared in Hymnal 1916:

While shepherds watched their flocks by night,
All seated on the ground,
The angel of the Lord came down,
And glory shone around.

"Fear not," said he, for mighty dread
Had seized their troubled mind;
"Glad tidings of great joy I bring
To you and all mankind.

"To you, in David's town, this day
Is born of David's line,
The Savior, who is Christ the Lord;
And this shall be the sign:

"The heavenly Babe you there shall find
To human view displayed,
All meanly wrapped in swathing bands,
And in a manger laid."

Thus spake the seraph, and forthwith
Appeared a shining throng
Of angels praising God, who thus
Addressed their joyful song:

"All glory be to God on high
And on the earth be peace;
Good will henceforth from heaven to men
Begin and never cease."

Today, this hymn is most often sung to to Winchester Old, taken from a 1592 psalm book. Hymnal 1940 (13.1) includes all six verses, although 4 and 5 seem less often sung.

Handel’s Messiah (1741)

In 1712, the Lutheran Kapellmeister Georg Friedrich Händel to London. Thirty years later, in Dublin he premiered his most famous work, a sacred oratorio with a text taken straight from the Authorized Version.

Thanks to many years of singing and listening to the Messiah, I have memorized most of Luke 2:8-14 — skipping only verse 12 which Handle omits from his libretto:

14a. Recitative (Soprano): There were shepherds abiding in the field, keeping watch over their flocks by night.

14b. Accompagnato (Soprano): And lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them, and they were sore afraid.

15. Recitative (Soprano): And the angel said unto them: "Fear not, for behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord."

16. Accompagnato (Soprano): And suddenly there was with the angel, a multitude of the heavenly host, praising God, and saying:

17. Chorus: "Glory to God in the highest, and peace on earth, good will towards men."

A Charlie Brown Christmas (1965)

This Emmy-winning animated special — based on the characters of the Peanuts comic strip — was a favorite of my childhood, and even more of for younger sister as it played in reruns every December. (I also am reminded of it every year when I listen to the Vince Guraldi Trio jazz score as part of my Christmas music playlist.)

Charlie Brown is struggling with the meaning of Christmas, while his younger friend — philosopher Linus van Pelt — tries to help him understand. In climatic scene at the school Christmas concert, a frustrated Charlie Brown asks “Isn’t there anyone who knows what Christmas is all about?”

In response, Linus takes the stage and reads Luke 2:8-14 from the Authorized Version.


A Charlie Brown Christmas (2015)

Fast forward 50 years. The special is for many an iconic symbol of the Christmas season, both to watch on TV and to re-enact in children’s Christmas pageants. At the same time, America has become far less Christian than it was in the 1950s and early 1960s.

In 2015, the superintendent of a rural Kentucky school district forbade the local elementary school from re-enacting Linus' most famous monologue. Franklin Graham (son of Billy Graham) protested this censorship, and the Alliance Defending freedom (a nonprofit law firm focusing on religious liberty) tried to convince the district to change their position — but to no avail. Instead, the audience on their own chose to read the deleted passage.

Hymns for the Great Banquet

At our (28 BCP) parish today, the gospel lesson was Luke 14:16-24, the Parable of the Great Banquet. This passage is for Trinity 2 in the 28 BCP, and also called out for the 2nd Sunday after Pentecost in the 1962 Catholic lectionary (“in the Octave of Corpus Christi”).

We heard the KJV, but here is the ESV (the RSV is almost the same):

But he said to him, “A man once gave a great banquet and invited many. And at the time for the banquet he sent his servant to say to those who had been invited, ‘Come, for everything is now ready.’ But they all alike began to make excuses. The first said to him, ‘I have bought a field, and I must go out and see it. Please have me excused.’ And another said, ‘I have bought five yoke of oxen, and I go to examine them. Please have me excused.’ And another said, ‘I have married a wife, and therefore I cannot come.’ So the servant came and reported these things to his master. Then the master of the house became angry and said to his servant, ‘Go oJesus, Breut quickly to the streets and lanes of the city, and bring in the poor and crippled and blind and lame.’ And the servant said, ‘Sir, what you commanded has been done, and still there is room.’ And the master said to the servant, ‘Go out to the highways and hedges and compel people to come in, that my house may be filled. For I tell you, none of those men who were invited shall taste my banquet.’”

This seems such a powerful passage regarding the nature of faith: all are invited but few (today ever fewer) will come. It also anticipates Revelation 19:9: “Blessed are those who are invited to the marriage supper of the Lamb.”

In his commentary Luke for Everyone, NT Wright notes that beyond the two obvious levels of the parable is a third less obvious implication for the faith:

The party to which the original guests were invited was Jesus’ kingdom-movement, his remarkable welcome to all and sundry. If people wanted to be included in Jesus’ movement, this is the sort of thing they were joining.

Strangely, it is nowhere to be found in the Revised Common Lectionary (according to the Vanderbilt RCL site). Looking through tables of the 1979 prayer book, the passage is also skipped in the Sunday readings for Year C and only found in the daily lectionary. The ACNA trial use lectionary also omits this passage, as does the 1998/2002 Roman Catholic lectionary for the US. (I thought the point of the 3-year lectionary was to cover more Scripture, not less.)

Hymnal 1940, 1982

I was expecting to have a hymn today touch on this theme. Our communion hymn came the closest: “Deck thyself, my soul with gladness” (H40: 210; H82: 339), a 1649 German Lutheran hymn with a tune (Schmuecke Dich) by Johann Cruger and a text by Johann Franck.  Verse 3 of the translation by the great Catherine Winkworth says

Jesus, Bread of Life, I pray thee,
Let me gladly here obey thee;
Never to my hurt invited,
Be thy love with love requited;
From this banquet let me measure,
Lord, how vast and deep its treasure;
Through the gifts thou here dost give me,
As thy guest in heav’n receive me.

In fact, when I pulled out A Scriptural Index to the Hymnal 1982, this was the only entry in the book for this gospel passage (which confirms that the 1979 prayer book schedules the text only for the Daily Office).

But I also heard echoes of verse 1 from  familiar hymn that turned out to be an Easter season favorite (H40: 89, H82: 174), with the Jakob Hintze melody harmonized by J.S. Bach:

At the Lamb’s high feast we sing,
Praise to our victorious King,
Who hath washed us in the tide
Flowing from his piercèd side;
Praise we Him, whose love divine
Gives His sacred blood for wine,
Gives His body for the feast,
Christ the Victim, Christ the Priest.

Hymns Ancient & Modern

In my folder of PDFs of old hymnals, I used a PDF search to look for mention of “banquet” (which appears only 5 times in the NT — 4 times here and once for Herod’s banquet that brought the execution of John the Baptist). This offered a third hymn from Hymns Ancient & Modern, described in the 1914 companion to Hymns A&M as follows:

128. P.

The Lamb's high banquet (Neale), 1851.
Orig. ascribed (?) to S. Ambrose. It was used as the proper Vesper hy. from Low Sunday to Ascension, but without a doxology, which was taken from hy. 141 for all hys. in that metre. It was the custom of the early Ch. that Baptism should be solemnly administered to many catechumens on Easter Eve. These persons were now for the first time about to receive the H. Com munion, and therefore waiting to share that high banquet In garments white and fair, in reference to the chrisom-robes given at Baptism, and worn till Low Sunday, called  "Dominica in Albis." The tr. is slightly altered. Dr. Neale wrote "We await" for "called to share," and in st. 2,1. 3, he gave "roseate," afterwards altered to "crimson," and then to "precious." In a preface he specially drew attention to these alterations as spoiling the idea of the orig. "Though one drop of Christ s Blood was sufficient to redeem the world, yet out of the greatness of His love to us He would shed all. As every one knows, the last drainings of lifeblood are not crimson, but of a paler hue : strictly speaking, roseate. Change the word and you eliminate the whole idea. Besides which, Christ is the True Rose, is a second reason for this word."

As in the companion, my copy lists this as #128 but Oremus lists it (perhaps from an earlier edition) as #111. (Hymns Ancient & Modern had notable inconsistencies across the various editions). The first verse is:

The Lamb's high banquet called to share,
arrayed in garments white and fair,
the Red Sea past, we now would sing
to Jesus our triumphant King.

The rest of the hymn has more of a Revelation 19 than Luke 14 feel to it.

In conclusion, I’m surprised that this major passage of Luke has so little scriptural support. However, right now — beyond US Continuing Anglicans and the global Anglicans who use the 1662 BCP — this passage is not often being heard.

St. Luke the Evangelist

October 18 is the date the church celebrates St. Luke the Evangelist. In the one year lectionary for this date (2 Timothy 4:5-15), Paul acknowledges Luke as his faithful companion on his missionary travels (as he also does in Colossians 4:14 and Philemon 1:24). What else we know is from early extra-canonical sources — as when he is reported as a physician in the 4th century Church History by Eusebius.

Luke’s Gospel and its Sequel

As our preacher noted this morning, the words contributed by St. Luke to the New Testament canon (with the third gospel and Acts of the Apostles) is second only the Pauline Epistles. The Acts of the Apostles provide a unique and invaluable account of the early church, but it was only earlier this year did I realize the unique contribution of Luke’s gospel.

Yes, Luke has unique parables, including the the Fig Tree (13:1-9), Lost Coin (15:8-10) and Prodigal Son (15:11-32). Luke 18 has the remarkable contrast of the Pharisee (“I thank you that I am not like other men, extortioners, unjust, adulterers, or even like this tax collector”) and the tax collector (“God, be merciful to me, a sinner!“).

But what I find remarkable is how much of what we know of Jesus before his ministry — from the promise to Elizabeth through Jesus in the Temple — is found only in the first two chapter of Luke.

And as a musician (and an Episcopalian from childhood if not birth) what is also remarkable is how much of our liturgy comes from Luke. This includes the Benedictus of our morning prayer, the rejoicing of Zachararias after the birth of St. John (Luke 1:68-79):

Blessed be the Lord God of Israel; * for he hath visited and redeemed his people;
And hath raised up a mighty salvation for us, * in the house of his servant David;
As he spake by the mouth of his holy Prophets, * which have been since the world began;
That we should be saved from our enemies, * and from the hand of all that hate us.
To perform the mercy promised to our forefathers, * and to remember his holy covenant;
To perform the oath which he sware to our forefather Abraham, * that he would give us;
That we being delivered out of the hand of our enemies * might serve him without fear;
In holiness and righteousness before him, * all the days of our life.
And thou, child, shalt be called the prophet of the Highest: * for thou shalt go before the face of the Lord to prepare his ways;
To give knowledge of salvation unto his people * for the remission of their sins,
Through the tender mercy of our God; * whereby the day-spring from on high hath visited us;
To give light to them that sit in darkness, and in the shadow of death, * and to guide our feet into the way of peace.

Perhaps more significantly — at least for many Catholics (and Anglo-Catholics) — the Magnificat (Luke 1:46-56) (used at evening prayer) from the Annunciation to the Virgin Mary:

My soul doth magnify the Lord, * and my spirit hath rejoiced in God my Saviour.
For he hath regarded * the lowliness of his handmaiden.
For behold, from henceforth * all generations shall call me blessed.
For he that is mighty hath magnified me; * and holy is his Name.
And his mercy is on them that fear him * throughout all generations.
He hath showed strength with his arm; * he hath scattered the proud in the imagination of their hearts.
He hath put down the mighty from their seat, * and hath exalted the humble and meek.
He hath filled the hungry with good things; * and the rich he hath sent empty away.
He remembering his mercy hath holpen his servant Israel; * as he promised to our forefathers, Abraham and his seed, for ever.

Finally, there is the Simeon's recognition of the diviity of Christ in Luke 2:29-32 (which we now use as the Nunc Dimittis in evening prayer):

LORD, now lettest thou thy servant depart in peace, * according to thy word.
For mine eyes have seen * thy salvation,
Which thou hast prepared * before the face of all people;
To be a light to lighten the Gentiles, * and to be the glory of thy people Israel.

Note: from my Lutheran days, all three can be found in the Missouri Synod liturgy (TLH, LSB), but the Nunc Dimitiss is used in the everyday communion service rather than evening prayer).

Invoking Luke

How do we acknowledge Luke? The 1928 BCP has a collect for this day

ALMIGHTY God, who didst inspire thy servant Saint Luke the Physician, to set forth in the Gospel the love and healing power of thy Son; Manifest in thy Church the like power and love, to the healing of our bodies and our souls; through the same thy Son Jesus Christ our Lord. Amen.

that was modified in the (traditional) version of the 1979 prayer book:

Almighty God, who didst inspire thy servant Luke the physician to set forth in the Gospel the love and healing power of thy Son: Graciously continue in thy Church the like love and power to heal, to the praise and glory of thy Name; through the same thy Son Jesus Christ our Lord, who liveth and reigneth with thee, in the unity of the Holy Spirit, one God, now and for ever. Amen.

The 1662 collect strikes similar themes with different words:

ALMIGHTY God, who calledst Luke the physician, whose praise is in the Gospel, to be an Evangelist, and Physician of the soul; May it please thee, that by the wholesome medicines of the doctrine delivered by him, all the diseases of our souls may be healed, through the merits of thy Son Jesus Christ our Lord. Amen.

and is only slightly modified from Cranmer’s 1549 original:

ALMIGHTIE God whiche calledst Luke the phisicion, whose prayse is in the gospell, to be a phisicion of the soule ; it may please thee, by the holsome medicines of his doctryne, to heale all the diseases of our soules; through thy sonne Jesus Christe our Lorde. 

Singing Praises for Luke

Beloved by the church, St. Luke is not quite forgotten in our Anglican hymnals. In each hymnal, as with the other saints he is is listed under Saints’ Days. Alas, he doesn’t rank with St. Michael (who had no earthly ministry), who warrants four hymns (#120-123) in H40, three in H82 (3282-284) and six in The English Hymnal.

Oremus recommended “Savior, who didst healing give,” a three verse hymn written in 1906 for TEH (#247) by Hardwicke Drummond Rawnsley. TEH pairs it with Jesus Ist Da Schönste Licht, a 18th century tune by J.A. Freylinhausen.

Hymnal 1940 lists no hymns for Luke, and the “see also” choices are vaguely about science (#515) or healing (#516). Hymnal 1982 has a generic three-stanza hymn (#231-232) where the middle stanza can be adapted for any saint, Luke among them.

However, it also has four verses of a hymn specific to Luke (#285), “What thanks and praise to thee we owe” by William Dalrymple Maclagan, 1873, set to a 1753 tune Deus tuorum militum. H82 uses verses 1,6,7 and 8 of the 8 verse hymn, altering verse 7 for clarity and verse 8 for gender neutrality. H82 (as is its want) is harmony free, but on Sunday at the 28 BCP parish I attended, the music director used the PC words and applied what appeared to be his own harmonization.

Although the hymn was written by Maclagan —  a Cambridge graduate then rector at Newington and later Archbishop of York from 1891-1908 — it doesn’t appear in TEH, Songs of Praise (Extended Edition), or the New English Hymnal. Instead, Hymnary.org implies that its first appearance was in the U.S. Hymnal 1892. The hymnal lists six (original texts) of the eight verses in (#172), set to Ely. The same six verses (#1,2,5-8) and tune appear in Hymnal 1916 (#292).