Friday, December 25, 2009

Shopping for a Christmas descant

“The First Nowell,” as various sources helpfully note, was first published in 1823, although the words are believed to date to 1600 or even the 13th century. The melody first appeared with these words in 1833, but is also thought to date from centuries earlier. The arrangement we all know is that of Sir John Stainer published in 1871.

The term Nowell is Old English for the French Noël (which means birth, i.e. the birth of Christ). It's a greeting used for the Christmas feast, as recounted in the Franklin’s Tale (ca. 1395), one of Chaucer's Canterbury Tales. (Some call the carol “The First Noël,” but I agree with those who say that if you’re going to say “Noël” then you should say “Le premier Noël.”)

My challenge this Christmas season was to find a descant for our choir to sing with “The First Nowell.” More precisely, I was looking for a descant for one (or two) of our younger sopranos to sing — each with beautiful voices but not a lot of experience singing descants. (As I recall from my choirboy days, one of the joys of being a soprano is that you almost always get to sing the melody.)

Finding the right descant proved a lot harder than it looked -- both in terms of what is free on the Internet and also in terms of the lack of consensus. This despite (or perhaps) because this is a very popular carol for descants. As one website snipes:
"The First Noel" is one of the most popular of all Christmas carols, known well to schoolchildren and to choral music arrangers who try to outdo each other in maximizing the registral sweep of the refrain by piling on lines of descant harmony.
First, I checked my hymnals (Anglican and otherwise) to see which ones had it:
  • Had it: Hymnal 1940, Hymnal 1982, Songs of Praise Enlarged Edition (1931), New English Hymnal (1986). I also found it in the 1975 Baptist Hymnal of the Southern Baptist Convention.
  • Didn’t have it: The English Hymnal (1906) — perhaps why it was in Songs of Praise. It’s also missing from The Lutheran Hymnal (1941) and Lutheran Worship (1982): it is because the German-American LCMS types didn’t share a common culture with pre-Reformation England, or was it some other reason?
Then I went in search of descants. Using Google, Wikipedia and other sources, I found at least 5 descants (some just a descant, some involving complete re-harmonization). I don’t have date of composition, but the chronological order of birth for the descant composers is
  1. Healy Willan, 1880-1968, Anglo-Canadian, arguably the most famous 20th century Anglican choral composer after Ralph Vaughan Williams.
  2. Evelyn Sharpe, (ca. 1895-???), who is best known for the "The Bird with the Yellow Bill" and "The hum of the bees".
  3. (Sir) David Willcocks, 1919-, English.
  4. (Sir) Philip Ledger, 1937-, English.
  5. Paul Halley, 1952- , Anglo-American choirmaster of St. John's (PECUSA) cathedral in NYC from 1977-1989.

1. Willan

The Willan was the easiest to find — Hymnal 1982 has the Willan descant for the refrain only. Although I saw one reference suggesting it was first published in 1926, I couldn’t find the original or any evidence of a descant for the full carol.

2. Sharpe

I had even more trouble finding music for the other descants. My best luck was with Evelyn Sharpe — a task made more difficult due to considerable confusion between Sharpe and two contemporaries named Evelyn Sharp (one an English librettist, one a World War II pilot.) Miss Sharpe’s descant was published in 1944 as #27 in Cramer’s Descant Series. (What a wonderful idea that a publisher published a series of scores to capture descants.) However, as far as I can tell, it’s not held in the Library of Congress, and so I couldn’t figure out a way for an American to get a copy. This the one descant that I never heard.

3. Willcocks

I found a ECUSA church in Lexington, Kentucky that used a Willcocks harmonization for its 2007 Festival of Lessons and Carols — both for The First Nowell and three other Christmas carols. The Willcocks arrangement of the entire carol is on YouTube in a 2008 performance by the King’s College Cambridge. The descant is a little hard to hear over the blaring organ, but it’s quite pretty; however, it might require a professional choir (like those from the English choir schools) to pull it off.

4. Ledger

I found the Ledger harmonization in my CD collection. My favorite Christmas collection is an all-star English choirboy compilation entitled “Christmas Carols From Wells & Salisbury.” However, my reaction to the Ledger harmony was almost the same as that to Rococo architecture — too ornate and dated.

5. Halley

The final version I found was that by the (now-American) Paul Halley. Given when it was composed, I was wary at best, and one of the YouTube performances made it clear that this was not the descant for me or our choir.

6th Descant

If you listen to contemporary (pop-ish) performances of “The First Nowell,” there is another descant they are using that’s none of the above. Listening to one of my CDs, I plinked this transcription out at the keyboard:
This is certainly the descant I’ve heard many times before. It’s always possible that this is the Sharpe descant I never found.

Upon further investigation, the descant line in the first phrase is just transposing up the tenor part written by Stainer — making it the oldest of the descants. Kenny Rogers also sang this line on a 1990 CD among my collection of 35 Christmas CDs.

I don’t know where the last two descant measures came from, but it has a voice leading worthy of 16th century counterpoint and ends on the root of the D major chord.

In short, this descant is very easy to sing and thus the one we ended up using. Certainly I’d use it again, unless there was some particular reason we wanted to use the Willan (which was almost as easy to sing, but not quite as dramatic.)

Sunday, December 20, 2009

What Isaac Watts says to "us"

Two years ago, I complained how Hymnal 1982 mangled the 2nd verse of everyone’s favorite Isaac Watts Christmas hymn to elide the dreaded “M” word:
Joy to the world! the Savior reigns;
let men their us our songs employ,
while fields and floods, rocks, hills and plains
repeat the sounding joy,
repeat the sounding joy,
repeat, repeat the sounding joy.
A quick Google search suggests that this particular hymnodic vandalism has not only spread throughout mainstream Protestant denominations, but also the American Catholic Church via the modern liturgy of Today’s Missal.

It was the topic of a blog posting Saturday at evangel, the wonderful ecumenical blog (hosted by the Catholic First Things) for right-thinking Christians everywhere. Biola University prof Fred Sanders first notes what my wife, I and everyone else born before 1965 knows deep down: for centuries the word “men” was used to refer to “human beings.” (Don’t get me started on the abominable non-word “humankind.”)

Sanders notes that in teaching on the original text (Psalm 98), Watts wanted to distinguish between the animate human beings and the inanimate remainder of God’s creation. We sing to the Lord because that’s why we were created: to praise God. Watts wants to make sure we’re clear that it’s the people (and not fields, floods, rocks, hills or plains) that are employing songs — rather than “all the earth” of the psalm.

I wish Sanders’ arguments would be enough to win over the inclusive language crowd in the ACNA and other groups, but I’d bet he’s just preaching (or at least drawing) to the choir. Unfortunately, being right nowadays isn’t enough.

Monday, December 14, 2009

Centuries of Christmas hits

A new list of the most popular Christmas carols has been posted by Hymnary.org. It is based on the Dictionary of North American Hymnary, an index of 4876 hymnals published in North American from 1640-1978. The list is supplemented by “about 40” hymnals published since then.

Here are the first 25 of the 29. The #1 entry was mentioned in about a third of the hymnals, and the first seven were mentioned by at least 10%:
  1. Joy to the world!
  2. Hark! the herald angels sing
  3. Brightest and best of the sons of the morning
  4. When shepherds watched their flocks by night
  5. It came upon the midnight clear
  6. O little town of Bethlehem
  7. Angels from the realms of glory
  8. Silent night, holy night
  9. O come, all ye faithful
  10. As with gladness men of old
  11. Come, thou long-expected Jesus
  12. Away in a manger
  13. O come, O come Emmanuel
  14. Thou dist leave thy throne
  15. Calm on the listening ear of night
  16. The first Noel the angel did say
  17. We three kings of Orient are
  18. All my heart this night rejoices
  19. There's a song in the air
  20. Wake, awake, for night is flying
  21. Angels we have heard on high
  22. Good Christian men, rejoice
  23. Shepherds, rejoice! lift up your eyes
  24. What child is this who, laid to rest
  25. From heaven above to earth I come
The list seems a little odd, but my guess is that the sheer number of pre-1900 hymnals skews the results away from modern tastes (not necessarily a bad thing.)

Last year Leland Ross used a similar exercise (with a smaller and more recent list of hymnals) to select his list of 16 favorite Christmas hymns. The differences might say something about the shifting of tastes, although a chronological sort on the DNAH results would do this more consistently.

From the DNAH list, two hymns Ross didn’t have were “Brightest and best of the sons of the morning” and “As with gladness men of old.” Meanwhile, his list ranked “What child is this” and “Good Christian men, rejoice” much higher than the multi-century version.

One Christmas hymn Ross mentioned that was completely absent from the DNAH list: “Go tell it on the mountain,” first published as a “Negro spiritual” in 1907 — although the refrain predates its publication. Personally, I think adding this hymn (#99) is one of the few improvements in Hymnal 1982 — as opposed to “Good Christian friends, rejoice” (ouch) or its mangling of “Hark, the herald angels sing.”

Sunday, November 29, 2009

Setting the canon of Advent

Ever since last year’s posting quoting Leland Ross on the canonical Christmas Carols, I’ve been wanting to make a similar list for Advent hymn. I’ve been investigating this off and on all fall. What I present here is too little and a little later than I would have liked, but it is all I’ve got time to summarize thus far.

I consulted two seminal hymnals (The English Hymnal from 1906 and Hymnal 1940) and one modernist hymnal (Hymnal 1982). The latter was because I was giving advice to someone who uses that hymnal, not because my opinion of it has changed, but it does provide a proxy for what hymns were in common use in PECUSA in the late 1970s. I wish I could have also consulted Hymns Ancient & Modern (1861) — as well as some of my Lutheran hymnals — but ran out of time.

Exactly seven Advent hymns show up in all three hymnals with the same tune. Two of these hymns I’ve previously written about:
  1. “Creator of the stars of night,” tune: Conditor alme Siderum. TEH: 1, H40: 6 Tune 1; H82: 60
  2. “Hark the glad sound! the Savior comes,” tune: Bristol. TEH: 6T1; H40: 7; H82: 71
  3. Hark, a thrilling voice is sounding,” tune: Merton. TEH: 5; H40: 9; H82: 59.
  4. “Lo, he comes with clouds descending,” tune: Helmsley. TEH: 7; H40: 5T2; H82: 57. The Americans also have St. Thomas (H40: 5T1; H82: 58), which seems equally good but is somewhat easier to sing.
  5. O come, O come Emmanuel,” tune: Veni Emmanuel. TEH: 8; H40: 2; H82: 56.
  6. “On Jordan's bank the Baptist's cry,” tune: Winchester New. TEH: 9; H40: 10; H82: 76.
  7. “Wake, awake, for night is flying,” tune: Sleepers, Wake. TEH: 12; H40: 3; H82: 61,62. (Note: This is the subject of a 11/23/2009 podcast at Issues Etc.)
A close runner up is
  1. “Thy kingdom come! On bended knee” appears in all three hymnals but not with the same tune. H40 (#391) and H82 (#615) use St. Flavian while TEH (and its 1986 successor the New English Hymnal) list Irish; the TEH (#504) alternately recommends St. Stephen. This is indexed as a general hymn, but listed by both TEH and H40 as a hymn “also” used for Advent.
Of those that showed up in two hymnals, my personal list of honorable mentions:
  1. Come, thou long-expected Jesus,” tune: Stuttgart, justifiably the first hymn in my favorite hymnal (H40: 1; H82: 66). I find the words by Charles Wesley to be perfect for signaling the beginning of Advent.
  2. “The King shall come when morning dawns,” tune: St. Stephen, H40: 11; H82: 73.
  3. “Christ whose glory fills the skies,” tune: Ratisbon, H40: 153; H82: 7. (H82 inflicts a new tune Christ Whose Glory as hymn #36). This is another H40 “also” Advent hymn, also with words by Wesley.
Four other hymns were found in two of the three hymnals — “O Word, that goest forth on high” (H40, H82), “The world is very evil” (TEH, H40), “Thy kingdom come, O God” (TEH, H40) and “Watchman, tell us of the night” (H40, H82) — but don’t seem to fit into the same category as the first 11. Only the first one (“O Word”) is listed in the Advent section, while the others are recommended alternates in the TEH and/or H40. (H82 doesn’t directly list alternates — I suspect they are in one of the hymnal companions.)

Finally, a 12th hymn is not listed as “Advent” but is recommended by H40 for Advent III and matches the H82 (Year C) reading for Advent II.
  1. “Love divine, all loves excelling,” tune: Hyfrydol, H40: 479T1; H82: 657. TEH and NEH print Charles Wesley’s words with other tunes, but I can’t imagine why anyone would ever sing anything but Rowland Prichard’s greatest hit.
The latter might seem like a stretch, but the phrases “Joy of heaven to earth come down” and “Come, almighty to deliver” do suggest a fit to the Advent theme. I’ll use any excuse to sing Hyfrydol, particularly if I can sing harmony.

Today at church we did two of the holy dozen: “Lo, he comes with clouds descending” and “Come thou long-expected Jesus.” I’m hoping that we’ll sing most of the remainder before Advent is over.

Sunday, November 15, 2009

San Diego wrent asunder

The latest court ruling has come in for two San Diego Anglican parishes, and — as with the recent run of news — the news was not good: both St. Anne’s (Oceanside) and Holy Trinity (Ocean Beach) have lost their cases at the Superior Court level. (Rev. Joe Rees, the new rector of St. Anne’s, issued a statement Friday, but I’ve seen no comment from Holy Trinity).

The San Diego paper has thus far ignored the story, but the Oceanside paper published a story Saturday. Former Anglican jleecbd has sympathy for the plight of these nearby parishes, but predicts — as consumers of the Anglican Fudge — they are merely deferring equally serious doctrinal issues down the road.

Bishop Mathes gloated by suggesting that the current occupants of the disputed buildings “come home,” knowing full well they won’t. He also claims to plan to rebuild the Oceanside parish as TEC outpost. However, there is no announced plan (nor any plausible plan) for reusing Holy Trinity, which — only 1.6 driving miles from All Souls (Point Loma) — has made a niche over the past 40 years by being traditional in contrast to all things trendy and progressive at All Souls.

I recall when Mathes was narrowly elected in November 2004 over Bishop Anthony Burton, the traditionalist candidate. Mathes was sold as a “moderate” but immediately began governing from the hard left. (Sound familiar, anyone). The shift from Bp. Hughes (a true moderate) to Mathes brought one of the most rapid exoduses of parishes from any TEC diocese over the past decade.

If you look at the Diocese of Western Anglicans (ACNA) congregations, six of the 22 parishes are from San Diego County — far out of proportion to the 3 million San Diegan’s share of the population of Southern California (19+ million) and Arizona (6.5 million). Not listed is St. Anne’s — I’m told that its former rector (Tony Baron) was not interested in joining ACNA, but the new rector was more open to the possibility.

Of these 7 San Diego Anglican parishes, five had already lost their buildings. No word on whether the two remaining parishes will be able to remain through Christmas in the buildings that loyal Christians paid to build and support over the past decades.

Meanwhile, the lead defendant in California — St. James Newport Beach — is continuing its case in Orange County Superior Court, despite losing a recent appeal to the US Supreme Court. (Perhaps they hope the court will recognize the legal absurdity of the TEC claim to be a hierarchical church.) No word on whether Holy Trinity (whose former warden was City Attorney of San Diego) plans to also appeal, but from Rev. Rees’ statement, it sounds like St. Anne’s plans to concede.

I’ve worshipped at three of the seven parishes, and so I know none of these decisions were ones made lightly. Instead, like parishes elsewhere in California, most (if not all) must work on building a new parish utilizing temporary facilities.

It’s possible that St. Anne’s has a favorable property alternative only a mile down the road. In 1994, fed up with the direction ECUSA was heading, St. Anne’s rector (Rev. Gary Heniser) quit the ECUSA to form Church of the Advent, a new parish of the Charismatic Episcopal Church. A few years ago, they acquired space at the old (but serviceable) Methodist church in Oceanside when that church moved across I-5 to bigger facilities. The CEC is more charismatic than Episcopal — not counted as “Anglican” by “San Diego Anglicans” — but the long ties between Father Heniser and his former flock might facilitate some sort of cooperation.

As a believer, even if all the remaining court cases go badly, I expect to see the successful rebirth of the Anglican faith in San Diego, Orange County, LA, the Central Valley and even pockets of the Bay Area. I fell sorry, however, for those in their 70s or 80s, whose last memories on this earth will be of the bitter court fights, dislocation, uncertainty and despair. Perhaps they will place their hopes in their children and grandchildren, who merely face challenges of money — not the risk of death or imprisonment in the early Christian church, or modern day China or Sudan.